Written By: Catherine Wolinski

Last October, the New Museum in New York City presented Carsten Holler: Experience, the first New York survey of works by Carsten Holler, a German scientist-turned-artist who resides in Stockholm, Sweden. The exhibition, which will be open until Jan. 15, transforms multiple galleries into a world of research experimentation crossed with childhood fun. A firm believer in utilizing the architecture of the building where his art, its space, and its viewers will interact, the collection even includes a 102-foot slide that patrons can ride from the fourth to the second floors of the building.

Born in Brussels in 1961, Holler left his career as a scientist in 1993 to instead apply his knowledge and lab experience to

artistic concepts. Exploring themes such as safety, love, and doubt, Holler presents scenarios that force museum and museum goer into a conversation, connecting visitors to the environments he creates. By engaging the building as well as its inhabitants, Holler sends each person into multiple roles as they pass through each section of the exhibit, where they are faced with innovative structures, scenes, and tasks. Visitors are both the watchers and the watched as they make their way through the Experience Corridor, a stretch of space scattered with thought provoking activities that bring into question the conventional understandings of space, time and self.

By way of his participatory installations, Holler challenges human perception and logic by igniting, and perhaps overwhelming, the senses with interactive experiences.  Using the architecture of the building to map out these sensory events, Holler engages viewers with

the works of the past eighteen years of his career, chronicling numerous ventures that push the limits of human sensory perception. Such works include the untitled slide installation, which he describes as an “alternative transportation system,” Double Light Corner, a disorienting light installation that gives the impression the room is flipping back and forth, Mirror Carousel, a full-size swing merry-go-round that reflects and illuminates the space around it as it turns almost imperceptively, and finally, Psycho Tank, a “sensory deprivation pool” which literally puts the viewer into a pool—stripped naked—for a mind-altering out-of-body experience.

Carston Holler: Experience employs multiple disciplines to destabilize and reinvent viewers’ knowledge of the world around them, and how they fit into it. By using the scientific method in conjunction with his futurist design, Holler’s art forces viewers to see, feel, and understand art and space in a new way.